This first feature film from Indian playwright Anand Gandhi, tells three stories about persons forced to think about the ethics and moral issues raised by medical advances: a visually impaired Egyptian photographer, who after a cornea transplant has trouble adjusting to her newfound sense of sight; a devout Indian monk fighting against animal testing, who has to confront his beliefs when he is diagnosed with liver cirrhosis; and an Indian stockbroker, who after having a kidney transplant learns about the illegal trade in stolen organs and decides to help a poor victim of such theft – even though it means travelling all the way from India to Sweden.
The film was first shown at the 2012 Toronto International Film Festival, where it received great critical acclaim and was touted as “the hidden gem of the year”. It was released in India in July 2013, and was awarded Best Feature Film of 2013 at the Indian National Film Awards in 2014.

A decade after his heroic defeat of the monstrous Kraken, Perseus-the demigod son of Zeus-is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius. Meanwhile, a struggle for supremacy rages between the gods and the Titans. Dangerously weakened by humanity’s lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos, father of the long-ruling brothers Zeus, Hades and Poseidon.

Theseus is a mortal man chosen by Zeus to lead the fight against the ruthless King Hyperion, who is on a rampage across Greece to obtain a weapon that can destroy humanity.

Born of a god but raised as a man, Perseus is helpless to save his family from Hades, vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny.

In this re-telling of Iliad, set in 1174 B.C. after ten years of fighting in the Trojan War, the Greek warrior Odysseus decides to travel for home, but instead finds a string of mis-adventures over the sea and land as he, along with a captive Trojan warrior named Circe as well as a group of loyal Greek soldiers, venture on the sea and land to get home to the island kingdom of Icarus and fighting sea sirens, and other mystical creatures to get home to his wife Penelope who is being hounded by a group of suitors hoping she will chose to make one of them their bride.

Upon his return from battle in the previous film, the great warrior Hercules learns that his lover, Daianara, has lost her senses. Acording of the oracle Medea, Dianara’s only hope is the Stone of Forgetfulness which lies deep in the realm of Hades. Hercules, with two companions, Theseus and Telemachus, embarks on a dangerous quest for the stone, while he is unaware that Dianara’s guardian, King Lico, is the one responsible for her condition and plots to have the girl for himself as his bride upon her revival.

Shakespeare’s romantic comedy is re-told in the Caribbean and brought into the 21st Century when Theseus and Hippolyta, returning Nationals, come home to Barbados to be married during Crop Over festival time. The island’s early history, folklore, culture and stunning landscape, lends itself perfectly for the mysticism, comedy and chaos that ensues, the night before the nuptual celebrations.

Strangers in their own birthplace, a camp 16-year-old, lollipop-sucking Dany and his 18-year-old brother Odysseus cross the entire country (along with pet rabbit Dido ) in search of their Greek father, who they only know as “The Nameless”, after the death of their Albanian mother. They hope to get Greek passports and citizenship but on the journey they encounter racism and prejudice.